Chinlone

Yoga and Conflict

COMBO a collaborative animation by Blu and David Ellis

a collaborative animation by Blu and David Ellis
year 2009
http://www.blublu.org
http://www.davidellis.org
produced by studio cromie
http://www.studiocromie.org
music by Roberto Lange
http://www.robertolange.com
made at Fame festival 2009
http://www.famefestival.it

Love & Theft

And I’m still carrying the gift you gave,
It’s a part of me now, it’s been cherished and saved,
It’ll be with me unto the grave
And then unto eternity.”
(Bob Dylan)

Script, direction: Andreas Hykade
Design, animation: Andreas Hykade
Animation assistance: Angela Steffen
Art work: Natalia Eck
Compositing: Christof Hoffmann
Sound, Music: Heiko Maile
Funding: MFG and FFA
Production assistance: Simone Fischer
Production: Thomas Meyer-Hermann
Studio FILM BILDER 2010

Day of Action, Night of Mourning Against Offshore Drilling Friday May 14, Nationwide

via http://itsgettinghotinhere.org/2010/05/08/national-day-of-action-night-of-mourning-against-offshore-drilling-friday-may-14/

Once again the fossil fuel industry has brought crisis to the Gulf Coast. Devastation of untold proportions spews non-stop from BP’s oil well as politicians try to save face with empty promises, and oil companies preserve their profits with PR campaigns. This catastrophic spill comes on the heels of Obama’s plan to expand offshore drilling. The price of burning fossil fuels is too high. From combustion to extraction the oil industry poisons our communities, destroys ecosystems, and destabilizes the climate. Now is the time to stop offshore drilling dead in its tracks and drive another nail into the fossil fuel industry’s coffin.

Take action Friday May 14 to demand:

-An immediate ban on all offshore drilling

-A rapid and just transition away from fossil fuels

-No bailouts for the oil industry. All recovery costs must be paid for by BP, Halliburton, Transocean and other implicated companies.

-The federal government must remove any caps on liability for oil companies.

-BP provides full compensation for impacted communities and small businesses.

-BP provides full funding for long-term ecosystem restoration for impacted areas.

-Oil companies operating in the Gulf fully fund restoration of coastal ecosystems damaged by canals, pipelines, and other industry activities.

Take action at:

-BP gas stations and offices

-Halliburton and Transocean offices

-Federal buildings

-Offices of members of Congress

-State government officials in states affected by Obama’s offshore drilling proposal.

-Critical Mass bike rides

-Vigils to mourn the unspeakable loss brought by this spill

-Get creative!

Why Ancient Wisdom Matters in the Modern World

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comic book heros and magick

Check out these excerpts from an interesting post on comic books, animism, magic, saints and super heroes, psychology, history, alchemy, and Catholicism, by Jules Evans @ The Politics of Well-Being

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[This is an edited version of the first chapter of a book I wrote but didn't get published, about how modern animation, and particularly superhero comics, have their origins in animist beliefs that were pushed out of the mainstream by first the Protestant Reformation and then the Scientific Revolution. These animist beliefs may have been suppressed and discredited, but they remain in the folk consciousness, and give rise to cultural phenomena like our love of superhero stories.]

. . . Superheroes are a flight from the rationalism of the modern world, from what Max Weber called the ‘Iron Cage’ of rationalism in Protestantism and the Spirit of Capitalism. Part of that rationalism, as Weber noted, was the bureaucratization of modern life: the welfare state, the NHS, the web of government agencies and regulations through which the modern individual must try to find their way. The superhero was born in the 1930s, during the New Deal, which was the greatest increase in the size and power of state bureaucracy yet seen in politics.

Superhero myths express a longing for a simpler kind of politics, for an earlier age, when the people felt a strong emotional bond to a charismatic warrior or prophet.
Weber defined the charismatic leader as akin to a superhero, in that the charismatic is “endowed with supernatural, superhuman, or at least specifically exceptional powers or qualities. These as such are not accessible to the ordinary person, but are regarded as divine in origin or as exemplary, and on the basis of them the individual concerned is treated as a leader.” We remember that charis means gift in Greek, so it’s not so far from the Greek or animist belief that superheroism is granted as a gift by the Gods or the spirit world.

In a century of mass movements, mass production, mass employment – a century of the masses in other words – superhero myths celebrated acts of individual heroism. They hark back to tribal times when an individual could make a difference to the future of the tribe, could ‘save the day’. The heart of superhero myths, like other heroic narratives, is the trial by individual combat, the wrestle, the boxing match, the fighter-pilot dog-fight, the Western duel.

As Weber noted, the modern bureaucratic state asserts a monopoly on violence, while we long to escape from this cage, to indulge our pre-civilized desire to beat up, torture and kill our enemies. Comics give us an outlet for this bloodlust. They release the wild man from the iron cage. . .

. . . So superhero comics are imperialist, jingoistic, anti-democratic, anti-civilization and devoted to the worship of uninhibited violence and (in manga) frequently rape as well. They come from the same dark, tribal and irrationalist part of the psyche that led to fascism.

But we can’t say that comics created this part of our psyche. Perhaps they help us become more aware of it. Indeed, the present generation of comic book writers is very much aware of the amoral and even fascist strains in superhero myths, and they consciously explore them. The costume and character of Judge Dredd, for example, was consciously modelled on Franco-era Spain, although this, and the fascist tendencies of Dredd himself, did not seem to put readers off. “The more fascistic we made him, the wilder the readers went”, notes Dredd’s creator, Alan Grant.

Jamie Delano, creator of Hellblazer, has said that comics “are shining a light on the beast which crouches in the corners of our minds, giving us a chance to both recognize it and oppose it”. This is true of the most conscious hero myths – they make us aware that the demon the hero is fighting is actually a manifestation of his own psyche, a reflection of himself. This point is made in Martin Scorcese’s Taxi Driver, in the famous scene where Robert De Niro stands in front of a mirror and says ‘you talkin’ to me?’, practicing playing the heroic vigilante to his own reflection. The point Scorcese or writer Paul Schrader seem to be making is that this particular violent ‘hero’ is fighting his own shadow, his own demons, projected onto external figures.

We see a similar exploration of the hero myth in Sophocles’ Oedipus trilogy, which to my mind is the greatest hero myth we have in our culture. At the beginning of it, Oedipus the heroic slayer of the Sphinx and saviour of Thebes is trying to discover what evil lurks in the heart of Thebes. As the play carries on, Oedipus realizes that in fact he himself unconsciously committed the crimes he is investigating. He is the monster he is seeking, the shadow he is pursuing. When he discovers this awful and humbling truth, the chorus says:

“Some demon of the night,
Some destructive impulse in man, prowling
Silently around you, waiting its chance,
Has sprung with inhuman strength, howling
At your throat.”

And yet Oedipus’ true heroism is that he doesn’t project these demons onto others, and then blame them for his mistakes and suffering. He takes responsibility for them. He says: “I’m the one / Who must bear the guilt and the punishment / And the shame. And I must bear it alone.”

While the rest of us run from our demons or project them onto others who strike us as strange, alien or threatening, Oedipus has the moral courage and self-awareness to confront his demons, to endure their wrath, to endure the loss of everything he has. And yet this submission, this annihilation of his ego, leads to a transformation.

By the second play in the trilogy, Oedipus at Colonus, the demonic spirits that tormented him are placated, and become his helpers, granting him magical powers. He becomes a shaman-hero, in touch with the chthonic spirits, able to see the future and to read the signs of nature, and his body has magical powers to protect the city where he is buried. So the hero goes from being a demon-slayer to the integrator of the daemonic.

Why do we need such heroes? Civilization, as Freud told us, forces us to repress or hide the primitive aspects of our self – the violent, the sexually uninhibited, the wild.As we hide or repress these parts of us, they become demonic and hostile to our conscious selves. They attack our realities, trying to gain expression and release. Our selves become divided and at war, like Jekyll and Hyde.

At a simple level, comics, like dreams, provide an outlet for that which is forbidden by civilization. Manga, in Japanese, means “irresponsible pictures”. Comics take us to the forbidden underworld – that’s why so many superheroes live in caves, like the Batcave, and why comic book stores like Forbidden Planet in London are so often underground themselves.

The underworld is home to demons and monsters. But, if Jung is to be believed, it is also the source of our divinity, and home to powers and forces that we have forgotten, and to spirits that guide us on our journey. Joseph Campbell wrote: “the human kingdom, beneath the floor of the comparatively neat little dwelling we call our consciousness, goes down into unsuspected Aladdin caves…There not only jewels but also dangerous jinn abide: the inconvenient or resisted psychological powers that we have not thought or dared to integrate into our lives.”
Campbell suggests, rightly, that the highest hero myths provide us with a map for this journey. They “carry keys that open the whole realm of the desired and feared adventure of the discovery of the self”. And a crucial part of that discovery is the confrontation with our daemonic self, the parts of us we have hidden or left behind in the progress of civilization.

We must confront the Unconscious, recognize it, take responsibility for it and integrate it, if we are to continue on our journey to enlightenment. Campbell writes: “The hero…discovers and assimilates his opposite (his own unsuspected self) either by swallowing it or by being swallowed. One by one the resistances are broken. He must put aside his pride, virtue, beauty, and life, and bow or submit to the absolutely intolerable. Then he finds that he and his opposite are not of differing species, but one flesh.”. . .

. . . in Princess Mononoke, the world of humans has become out of balance with nature. The spirits of nature, no longer heeded or respected by humans, have become demonic, and try to attack and destroy human civilization. The nature spirits are led by a magical warrior-princess called Mononoke. The only person who doesn’t try to fight the spirits is Ashitaka, a warrior who has been wounded by a demonic boar. He sees that the nature spirits are just trying to restore the natural balance, and that they are necessary for the flourishing of life on the planet. He risks his life trying to intercede in the battle between civilization and the spirit world, and though the humans’ city is destroyed, a new and better civilization is born, one which will perhaps be more in harmony with the planet.

The superhero, in these films, is like the Romantic poet or the tragic hero. They are the heroic intermediaries between civilization and the spirit world of nature that humans have left behind. They are seized, possessed, by spirits, who drag them down to the underworld. The hero manages to overcome this challenge, this death of the ego, and to make peace with the spirits.

He or she then returns to civilization, as the ‘master of both worlds’, helping us to accept the daemonic parts of us that we feared, helping to re-connect us to the spirit world, bringing the conscious world into balance with the unconscious, and thus protecting the conscious world (or the City) from destruction at the hand of demonic or unconscious forces. And this re-connection to the spirit world is also a re-connection to the world of nature. As Coleridge put it, the poet (or hero) helps overcome “the enmity of nature” – that feeling that our civilized selves are fake, inauthentic, out of touch and even at war with our deeper nature.

This old belief in the possibility of an animist relationship with the spirits of nature has been rejected from the mainstream of Western liberal, rationalist and capitalist society. And yet we find it, like a diamond in a junk shop, in the cheaply-printed pages of superhero comics, through which is expressed the longing, as Michael Chabon puts it, “truly to escape, if only for one instant; to poke one’s head through the borders of this world, with its harsh physics, into the mysterious spirit world that lay beyond”.

So superhero comics can turn up a lot of nasty parts of the psyche – nationalism, tribalism, sexual violence, moral simplification, the demonization of enemies. They speak to a primitive part of the psyche, which often feels itself at threat from invisible forces that it does not understand and before which it feels helpless. At their most basic level, they can appeal simply to the longing for violence and domination which civilization forces us to repress.

But higher forms of the medium can do more than this. They can help us to recognize, accept and transform the darker parts of our psyche. They can make us feel re-connected to our selves and to nature. Our divinity, Jung suggested, lies waiting for us in the dark underground of our souls, if we have the courage to descend there.

The artist, in this model of art, is the real superhero. He or she has the courage to descend to the depths, like Orpheus descending to the underworld, in order to re-connect us to the spirit world, and thus to our divinity.

This belief in the artist as superhuman medium between the mundane and the spirit world goes back to the earliest human art, to the idea that the shaman drawing a picture of a buffalo on the side of a cave would somehow win the favour of nature spirits for the tribe’s next hunting expedition. Shamans, as we’ll see, are artists as much as they were priests or doctors. They go into trances, become hosts to spirits, and then sing, dance, declaim verse and paint pictures. . .

. . . When the Protestant Reformation and the ensuing scientific revolution pushed animist and magical beliefs to the sidelines, this belief in the magical power of art was also marginalized. The polite eighteenth century poet Alexander Pope might describe the spirit world in his poem, The Rape of the Lock, but his description is reduced to little more than an amusing literary device.

The Romantics, however, passionately resurrected this idea of the artist as spirit-vessel in their rebellion against the rational and mechanistic world-view of their era. The poet, in the works of Coleridge or Wordsworth, was a man possessed, seized by the spirits of nature and made to act as their conduit, their lightening conductor, in order to communicate their message to mankind. Or the artist was a sorcerer who created Golem-type animated figures, like Dr Frankenstein in Mary Shelley’s Gothic fantasy.

The last gasp of this exalted view of the artist in European culture was probably in the 1920s, with modernist artists like Kandinsky or Duchamp, both of whom were influenced by alchemical or shamanic ideas, and with modernist writers like TS Eliot or Antonin Artaud. But the anti-democratic and often pro-fascist stance of some of the key figures in modernism helped to further discredit the view of the artist as some sort of exalted emissary from the spirit world.

As our idea of art has become less and less exalted over the last century, so our conception of the poet or writer has calmed down, until the writer is now, in the modern mind, simply a peevish and vain man trying, like the rest of us, to get paid and get laid.

But at the margins of culture, below the radar of mainstream literary culture, the comic book artist rebels against this mundane and commercial view of art, and reclaims the exalted conception of the artist as shaman. Thus Alan Moore, one of the most famous writers in comics today, said in a recent interview: “I think that artists have been sold down the river… I think that over the last couple of centuries, Art has been seen increasingly as merely entertainment, having no purpose other than to kill a couple of hours in the endless dreary continuum of our lives. And that’s not what Art’s about, as far as I’m concerned. Art is something which has got a much more vital function.”

Moore takes the view that European art, up until the last two centuries, was profoundly influenced by magic, and even in the last hundred years some of the best art was connected with occult beliefs. The artist communicates with the spirit world, and connects mundane society to that world. Comics, he suggests, are resurrecting this old tradition.

He is himself a practicing sorcerer, seeing himself as in the tradition of scholarly magi like John Dee and Girolamo Cardano. Like those figures, he believes he has been visited by spirits from other dimensions, including by a snake god called Glycon that he connects to the Greek snake-god Aesculapius. In this, again, he is connecting to an old tradition in European culture – Sophocles also believed he was visited by the god Aesculapius in the form of a snake.

Other comic artists are also practicing magi – Alejandro Jodorowsky, for example, who wrote the cult comic series The Incal, is also a practicing tarot magician and healer. And the idea of the artist as shaman or spirit-conjuror is very much alive within comic narratives. The father of the modern comic is considered to be the German artist Rudolph Topfer, whose works including a graphic re-telling of the myth of Dr Faustus, who sells his soul to the Devil in return for superhuman powers.

Another of Goethe’s stories of spirit conjuring, a poem called the Sorcerer’s Apprentice, was a main influence on Disney’s Fantasia, where the sorcerer Yensid (Disney backwards) has extraordinary powers to channel spirits into household objects and make them dance at his command.

We see the neo-Platonic idea of the artist as a being possessed by spirits in the first ever issue of Spiderman, in which we see the writer Stan Lee sitting at his desk in the middle of the night, unable to sleep, with superheroes leaping around his head and resting on his shoulders like spirit familiars. The comics writer Neil Gaiman has also repeatedly explored the idea of the artist as someone who channels or makes pacts with spirits from other dimensions, in his comic series The Sandman. And the tradition has its most recent addition in the figure of the artist Isaac Mendez, who goes into a trance and paints the future in NBC’s Heroes.

So there’s a strange situation where comics, supposedly the irresponsible child of the ‘serious’ arts, is actually arguing for a more dignified and exalted conception of the arts than exists in the cultural mainstream. The comic artist, at least in their own conception, has a crucial role to play in our society, in connecting us to the spirit world that we left behind some two and a half centuries ago after the Protestant Reformation. We may not literally or consciously believe in these animist beliefs anymore. But the success of comics and superhero myths in the last 70 years shows that, whatever we say publicly, these myths still resonate powerfully in the folk imagination.

Read the whole post @ http://www.politicsofwellbeing.com/2009/10/everything-is-full-of-gods.html

Visionary Psychedelic Surrealism by Myztico

via http://myztico.mosaicglobe.com/

InterDimensional Art Zone

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“The creative process is truly a spiritual transcedental gift that allows one to co-create with our Divine Creator, to put it simpley “Creativity is my Religion”.  It gives me a deeper purpose in life much more gratifying than the quest for impermanent materialism.  We are all blessed with certain gifts that we bring to this world while we are here on this earth plane. Each of us are part of a complex matrix of  consciousness that spans across the inter-dimensional  cosmos. Some of the images in this gallery were inspired by entheogenic sacred teacher plants that I have explored throughout the years. Others appear through Dreamtime cycles behind the veil of perceptions, beyond the superficial everyday experience that the naked eye and our limited 5 senses can decipher. Therefore “ART” is the 3rd eye of human evolution, it is a sacred gift not to be taken lightly. It informs, educates, heals, enlightens and defines our humanity on various levels. Here, I share with you some of the imagery I have experienced within a variety of inter-dimensional realms. I  have attempted  to capture these visions to the best of my natural abilities”. This is the first gallery of several on this site, take your time to absorb what is here. There is something here for just about everyone and if you can learn something new while visiting here and if the art, music, poetry, videos and educational materials contained within this site resonate with you please share this site with your family and friends. I have put together this site as my small contribution to the human family with the intention of spreading positive energy about the state of our fragile planet  and that collectively with our love for all life and the unknown that we can each contribute towards dreaming a better world for generations to come! NAMASTE!

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Recent Spotlights of Myztico’s Art & Website: Myztico Art has been recently spotlighted on REALITY SANDWICH at:   http://www.realitysandwich.com/interdimentional_art this is a wonderful online publication with talented writers covering a wide spectrum of topics I urge you to pay a visit! Myztico’s latest Blog titled: “Shamanism, Surrealism and the Age of the Visionary“,  can be seen exclusively at The Gravaton Collective at:       http://www.thegravatonblog.com Myztico has also been featured in the 4th edition of The Visionary Revue by Laurence Caruana along with other outstanding Visionary Artists: http://visionaryrevue.com/webtext4/mystico.html

The 2nd Annual International Surrealist Exhibit 2008  http://www.surrealismnow.com/intsurrealistshow2008.html

To see a world in a Grain of Sand, and a Heaven in a wild flower, hold Infinity in the palm of your hand, and Eternity in an hour”- William Blake

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http://myztico.mosaicglobe.com/

A Gathering of the Tribe

Via: http://www.realitysandwich.com/gathering_tribe

By Charles Eisenstein

Once upon a time a great tribe of people lived in a world far away from ours. Whether far away in space, or in time, or even outside of time, we do not know. They lived in a state of enchantment and joy that few of us today dare to believe could exist, except in those exceptional peak experiences when we glimpse the true potential of life and mind.

One day the shaman of the tribe called a meeting. They gathered around him, and he spoke very solemnly. “My friends,” he said, “there is a world that needs our help. It is called earth, and its fate hangs in the balance. Its humans have reached a critical point in their collective birthing, and they will be stillborn without our help. Who would like to volunteer for a mission to this time and place, and render service to humanity?”

“Tell us more about his mission,” they asked.

“I am glad you asked, because it is no small thing. I will put you into a deep, deep trance, so complete that you will forget who you are. You will live a human life, and in the beginning you will completely forget your origins. You will forget even our language and your own true name. You will be separated from the wonder and beauty of our world, and from the love that bathes us all. You will miss it deeply, yet you will not know what it is you are missing. You will only remember the love and beauty that we know to be normal as a longing in your heart. Your memory will take the form of an intuitive knowledge, as you plunge into the painfully marred earth, that a more beautiful world is possible.

“As you grow up in that world, your knowledge will be under constant assault. You will be told in a million ways that a world of destruction, violence, drudgery, anxiety, and degradation is normal. You may go through a time when you are completely alone, with no allies to affirm your knowledge of a more beautiful world. You may plunge into a depth of despair that we, in our world of light, cannot imagine. But no matter what, a spark of knowledge will never leave you. A memory of your true origin will be encoded in your DNA. That spark will lie within you, inextinguishable, until one day it is awakened.

“You see, even though you will feel, for a time, utterly alone, you will not be alone. I will send you assistance, help that you will experience as miraculous, experiences that you will describe as transcendent. For a few moments or hours or days, you will reawaken to the beauty and the joy that is meant to be. You will see it on earth, for even though the planet and its people are deeply wounded, there is beauty there still, projected from past and future onto the present as a promise of what is possible and a reminder of what is real.

“You will also receive help from each other. As you begin to awaken to your mission you will meet others of our tribe. You will recognize them by your common purpose, values, and intuitions, and by the similarity of the paths you have walked. As the condition of the planet earth reaches crisis proportions, your paths will cross more and more. The time of loneliness, the time of thinking you might be crazy, will be over.

“You will find the people of your tribe all over the earth, and become aware of them through the long-distance communication technologies used on that planet. But the real shift, the real quickening, will happen in face-to-face gatherings in special places on earth. When many of you gather together you will launch a new stage on your journey, a journey which, I assure you, will end where it began. Then, the mission that lay unconscious within you will flower into consciousness. Your intuitive rebellion against the world presented you as normal will become an explicit quest to create a more beautiful one.

“In the time of loneliness, you will always be seeking to reassure yourself that you are not crazy. You will do that by telling people all about what is wrong with the world, and you will feel a sense of betrayal when they don’t listen to you. You will be hungry for stories of wrongness, atrocity, and ecological destruction, all of which confirm the validity of your intuition that a more beautiful world exists. But after you have fully received the help I will send you, and the quickening of your gatherings, you will no longer need to do that. Because, you will Know. Your energy will thereafter turn toward actively creating that more beautiful world.”

A tribeswoman asked the shaman, “How do you know this will work? Are you sure your shamanic powers are great enough to send us on such a journey?”

The shaman replied, “I know it will work because I have done it many times before. Many have already been sent to earth, to live human lives, and to lay the groundwork for the mission you will undertake now. I’ve been practicing! The only difference now is that many of you will venture there at once. What is new in the time you will live in, is that the Gatherings are beginning to happen.”

A tribesman asked, “Is there a danger we will become lost in that world, and never wake up from the shamanic trance? Is there a danger that the despair, the cynicism, the pain of separation will be so great that it will extinguish the spark of hope, the spark of our true selves and origin, and that we will separated from our beloved ones forever?”

The shaman replied, “That is impossible. The more deeply you get lost, the more powerful the help I will send you. You might experience it at the time as a collapse of your personal world, the loss of everything important to you. Later you will recognize the gift within it. We will never abandon you.”

Another man asked, “Is it possible that our mission will fail, and that this planet, earth, will perish?”

The shaman replied, “I will answer your question with a paradox. It is impossible that your mission will fail. Yet, its success hangs on your own actions. The fate of the world is in your hands. The key to this paradox lies within you, in the feeling you carry that each of your actions, even your personal, secret struggles within, has cosmic significance. You will know then, as you do now, that everything you do matters. God sees everything.”

There were no more questions. The volunteers gathered in a circle, and the shaman went to each one. The last thing each was aware of was the shaman blowing smoke in his face. They entered a deep trance and dreamed themselves into the world where we find ourselves today.

****

Who are these missionaries from the more beautiful world? You and I are surely among them. Where else could this longing come from, for this magical place to be found nowhere on earth, this beautiful time outside of time? It comes from our intuitive knowledge of our origin and destination. The longing, indomitable, will never settle for a world that is less. Against all reason, we look upon the horrors of our age, mounting over the millennia, and we say NO, it does not have to be this way! We know it, because we have been there. We carry in our souls the knowledge that a more beautiful world is possible. Reason says it is impossible; reason says that even to slow — much less reverse — the degradation of the planet is an impossible task: politically unfeasible, opposed by the Money Power and its oligarchies. It is true that those powers will fight to uphold the world we have known. Their allies lurk within even ourselves: despair, cynicism, and resignation to carving out a life that is “good enough” for me and mine.

But we of the tribe know better. In the darkest despair a spark of hope lies inextinguishable within us, ready to be fanned into flames at the slightest turn of good news. However compelling the cynicism, a jejune idealism lives within us, always ready to believe, always ready to look upon new possibilities with fresh eyes, surviving despite infinite disappointments. And however resigned we may have felt, our aggrandizement of me and mine is half-hearted, for part of our energy is looking elsewhere, outward toward our true mission.

I would like to advise caution against dividing the world into two types of people, those who are of the tribe and those who are not. How often have you felt like an alien in a world of people who don’t get it and don’t care? The irony is that nearly everyone feels that way, deep down. When we are young the feeling of mission and the sense of magnificent origins and a magnificent destination is strong. Any career or way of life lived in betrayal of that knowing is painful, and can only be maintained through an inner struggle that shuts down a part of our being. For a time, we can keep ourselves functioning through various kinds of addictions or trivial pleasures to consume the life force and dull the pain. In earlier times, we might have kept the sense of mission and destiny buried for a lifetime, and called that condition maturity. Times are changing now though, as millions of people are awakening to their mission all at the same time. The condition of the planet is waking us up. Another way to put it, is that we are becoming young again.

When you feel that sense of alienation, when you look upon that sea of faces mired so inextricably in the old world and fighting to maintain it, think back to a time when you too were, to all outside appearances, a full and willing participant in that world as well. The same spark of revolution you carried then, the same secret refusal, dwells in all people. How was it that you finally stopped fighting it? How was it that you came to realize that you were right all along, that the world offered to us is wrong, and that no life is worth living that does not in some way strive to create a better one? How was it that it became intolerable to devote your life energy toward the perpetuation of the old world? Most likely, it happened when the old world fell apart around your ears.

As the multiple crises of money, health, energy, ecology, and more converge upon us, the world is going to collapse for millions more. We must stand ready to welcome them into the tribe. We must stand ready to welcome them back home.

The time of loneliness, of walking the path alone, of thinking maybe the world is right and I am wrong for refusing to participate fully in it… that time is over. For years we walked around talking about how wrong everything is: the political system, the educational system, religious institutions, the military-industrial complex, the banking industry, the medical system — really, any system you study deeply enough. We needed to talk about it because we needed to assure ourselves that we were not, in fact, crazy. We needed as well to talk about alternatives, the way things should be. “We” should eliminate CFCs. “They” should stop cutting down the rain forests. “The government” should declare no fishing zones. This talk, too, was necessary, for it validated our vision of the world that could be: a peaceful and exuberant humanity living in co-creative partnership with a wild garden earth.

The time, though, for talking merely to assure ourselves that we are right is coming to an end. People everywhere are tired of it, tired of attending yet another lecture, organizing yet another discussion group online. We want more. A few weeks ago as I was preparing for a speaking trip to Oregon, the organizers told me, “These people don’t need to be told what the problems are. They don’t even need to be told what the solutions are. They already know that, and many of them are already in action. What they want is to take their activism to the next level.”

To do that, to fully step into one’s mission here on earth, one must experience an inner shift that cannot be merely willed upon oneself. It does not normally happen through the gathering or receiving of information, but through various kinds of experiences that reach deep into our unconscious minds. Whenever I am blessed with such an experience, I get the sense that some benevolent yet pitiless power — the shaman in the story — has reached across the void to quicken me, to reorganize my DNA, to rewire my nervous system. I come away changed.

One way it happens is through the “gathering of the tribe” I described in this story. I think many people who attended the recent Reality Sandwich retreat in Utah experienced something like this. Such gatherings are happening now all over the world. You go back, perhaps, to “real life” afterwards, but it no longer seems so real. Your perceptions and priorities change. New possibilities emerge. Instead of feeling stuck in your routines, life changes around you at a vertiginous pace. The unthinkable becomes commonsense and the impossible becomes easy. It may not happen right away, but once the internal shift has occurred, it is inevitable.

Here I am, a speaker and a writer, going on about how the time for mere talk has ended. Yet not all words are mere talk. A spirit can ride the vehicle of words, a spirit that is larger than, yet not separate from, their meaning. Sometimes I find that when I bow into service, that spirit inhabits the space in which I speak and affects all present. A sacredness infuses our conversations and the non-verbal experiences that are becoming part of my events. In the absence of that sacredness, I feel like a smart-ass, up there entertaining people and telling them information they could just as easily read online. Last Friday night I spoke on a panel in New York, one of three smart-asses, and I think many in the audience left disappointed (though maybe not as disappointed as I was in myself). We are looking for something more, and it is finding us.

The revolutionary spark of our true mission has been fanned into flames before, only to return again to an ember. You may remember an acid trip in 1975, a Grateful Dead concert in 1982, a kundalini awakening in 1999 — an event that, in the midst of it, you knew was real, a privileged glimpse into a future that can actually manifest. Then later, as its reality faded into memory and the inertial routines of life consumed you, you perhaps dismissed it and all such experiences as an excursion from life, a mere “trip.” But something in you knows it was real, realer than the routines of normalcy. Today, such experiences are accelerating in frequency even as “normal” falls apart. We are at the beginning of a new phase. Our gatherings are not a substitute for action; they are an initiation into a state of being from which the necessary kinds of actions arise. Soon you will say, with wonder and serenity, “I know what to do, and I trust myself to do it.”

Image by foreversouls, courtesy of Creative Commons license.

Situationist International

Situationist International – Part 1 of 3

Situationist International – Part 2 of 3

Situationist International – Part 3 of 3

KRS-ONE: Hip Hop Beyond Entertainment

Hip Hop Beyond Entertainment Part 1

Hip Hop Beyond Entertainment Part 2

KRS-ONE: Hip Hop Beyond Entertainment Recorded Live at Hip Hop 101 Temple University April 2004 A Video by Alex Goldblum Special Thanks to the Philosopher of Hip Hop, Knowledge Reigns Supreme Over Nearly Everybody http://www.templeofhiphop.org

Animation and drawings by BLU

http://www.blublu.org/sito/video/muto.htm

http://www.blublu.org/

http://www.blublu.org/blog/

Physical Theatre: Butoh and Beyond – Screener

Film distributed by Contemporary Arts Media http://www.artfilms.com.au

The video is a documentary of a weekend workshop presented by Cheryl Heazlewood in Perth in 1996. The participants consist of young actors, dancers, performers and teachers. Cheryl presents powerful and inspiring training exercises which are drawn from her eclectic training in occidental and oriental movement and theatre. Cheryl Heazlewood – Choreographer, Actor, Teacher and Healer – has spent her life involved in theatre and dance.After studying classical and contemporary dance, theatre and mime Cheryl joined the Lindsay Kemp Company in 1982 as a principal artist and moved to Europe. She spent the next 11 years performing internationally. During this time she studied Butoh with Kazu Ohno, Sankai Juku, Carlotta Ikeda and Ko Murobushi, who invited her to work in his company in 1986. In 1992 she formed her own company Butoh And Beyond with the vision of integrating Butoh into Western performance. Cheryl returned to Australia in 1995 and has been teaching in major dance/theatre institutions Australia-wide. 50 min.

From Ritual To Theater

A great reflection on the transition of ritual to theater in the western world .

It is interesting to note (as the woman at the end of the video also notes) how the circular ritual area, called the orchestra, diminishes in importance and focus as the place of fiction increases. Interesting implications and commentary on western theater (entertainment) and religion.

In watching these videos, I noticed that the roman catholic and eastern orthodox churches based their Eucharistic “drama” and architecture on Greek/Roman theater as well. If you follow the cycle of liturgical services done in the orthodox church as well as older catholic churches, the life cycle of the christian sun god is reenacted, using much of the same props, devices and architecture as Greek/Roman theater.

I was immediately struck by the place and importance of the circle in the original Dionysian rituals that are thought to have inspired and evolved into theater. A brief survey of material on the Greek mystery cults, ritual drama and their influence on all of society will shine a light on how important this all was way back when. Here is an interesting jumping off point . . .
http://www.realitysandwich.com/new_eleusis_long_trip_isn039t_over_yet
Where did our circles and rituals go in the western world?

History of Theater

History of Theater 1 – From Ritual to Theater / Ancient Greek Theater

History of Theater / Theater 2 – Development of Greek Tragedy

History of Theater 3 – From Satyr Play to Comedy

History of Theater 4 – From Greek to Roman Theater

History of Theater 5 – The Illusion Illustrated

History of Theater 6 – The Framing of the Illusion

History of Theater 7 – The Arched Spectacle

History of Theater 8 – From Palace to Public House

WANDERLUST

WANDERLUST

The Intentional Economy

http://realitysandwich.com/intentional_economy

Daniel Pinchbeck

While exploring shamanism and non-ordinary states, I discovered the power of intention. According to the artist Ian Lungold, who lectured brilliantly about the Mayan Calendar before his untimely death a few years ago, the Maya believe that your intention is as essential to your ability to navigate reality as your position in time and space. If you don’t know your intention, or if you are operating with the wrong intentions, you are always lost, and can only get more dissolute.

This idea becomes exquisitely clear during psychedelic journeys, when your state of mind gets intensified and projected kaleidoscopically all around you. As our contemporary world becomes more and more psychedelic, we are receiving harsh lessons in the power of intention on a vast scale. Over the last decades, the international financial elite manipulated the markets to create obscene rewards for themselves at the expense of poor and middle class people across the world. Using devious derivatives, cunning CDOS, and other trickery, they siphoned off ever-larger portions of the surplus value created by the producers of real goods and services, contriving a debt-based economy that had to fall apart. Their own greed — such a meager, dull intent — has now blown up in their faces, annihilating, in slow motion, the corrupt system built to serve them.

Opportunities such as this one don’t come along very often and should be seized once they appear. When the edifice of mainstream society suddenly collapses, as is happening now, it is a fantastic time for artists, visionaries, mad scientists and seers to step forward and present a well-defined alternative. What is required, in my opinion, is not some moderate proposal or incremental change, but a complete shift in values and goals, making a polar reversal of our society’s basic paradigm. If our consumer-based, materialism-driven model of society is dissolving, what can we offer in its place? Why not begin with the most elevated intentions? Why not offer the most imaginatively fabulous systemic redesign?

The fall of capitalism and the crisis of the biosphere could induce mass despair and misery, or they could impel the creative adaptation and conscious evolution of the human species. We could attain a new level of wisdom and build a compassionate global society in which resources are shared equitably while we devote ourselves to protecting threatened species and repairing damaged ecosystems. Considering the lightning-like pace of global communication and new social technologies, this change could happen with extraordinary speed.

To a very great extent, the possibilities we choose to realize in the future will be a result of our individual and collective intention. For instance, if we maintain a Puritanical belief that work is somehow good in and of itself, then we will keep striving to create a society of full employment, even if those jobs become “green collar.” A more radical viewpoint perceives most labor as something that could become essentially voluntary in the future. The proper use of technology could allow us to transition to a post-scarcity leisure society, where the global populace spends its time growing food, building community, making art, making love, learning new skills and deepening self-development through spiritual disciplines such as yoga, tantra, shamanism and meditation.

One common perspective is that the West and Islam are engaged in an intractable conflict of civilizations, where the hatred and terrorism can only get worse. Another viewpoint could envision the Judeo-Christian culture of the West finding common ground and reconciling with the esoteric core, the metaphysical purity, of the Islamic faith. It seems — to me anyway — that we could find solutions to all of the seemingly intractable problems of our time once we are ready to apply a different mindset to them. As Einstein and others have noted, we don’t solve problems through employing the type of thinking that created them, but rather dissolve them when we reach a different level of consciousness.

We became so mired in our all-too-human world that we lost touch with the other, elder forms of sentience all around us. Along with delegates to the UN, perhaps we could train cadres of diplomats to negotiate with the vegetal, fungal and microbial entities that sustain life on earth? The mycologist Paul Stamets proposes we create a symbiosis with mushrooms to detoxify eco-systems and improve human health. The herbalist Morgan Brent believes psychoactive flora like ayahuasca and peyote are “teacher plants,” sentient emissaries from super-intelligent nature, trying to help the human species find its niche in the greater community of life. When we pull back to study the hapless and shameful activity of our species across the earth, these ideas do not seem very farfetched.

In fact, the breakdown of our financial system has not altered the amount of tangible resources available on our planet. Rather than trying to re-jigger an unjust debt-based system that artificially maintains inequity and scarcity, we could make a new start. We could develop a different intention for what we are supposed to be doing together on this swiftly tilting planet, and institute new social and economic infrastructure to support that intent.

This article originally appeared in Conscious Choice.

Image by jouste, courtesy of Creative Commons license.

Narrative Conventions in Myth: The Cave of the Magic Ring

Wendy Doniger is a Professor of the History of Religions at the University of Chicago and one of the most important interpreters of myth. In this Fourth Annual Ninian Smart Memorial Lecture at UC Santa Barbara she explores the narrative convention in myth.

Narrative Conventions in Myth: The Cave of the Magic Ring

Wendy Doniger is a Professor of the History of Religions at the University of Chicago and one of the most important interpreters of myth. In this Fourth Annual Ninian Smart Memorial Lecture at UC Santa Barbara she explores the narrative convention in myth.

Manu Chao – EZLN Radio Bemba en Chiapas

Manu Chao – EZLN Radio Bemba en Chiapas

Suicide Girls

Brad Warner on Suicide Girls